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- The Psychological Roots of Corruption: A Deep Dive into Human Nature Through Marina Abramovic's Social Experiment
The Psychological Roots of Corruption: A Deep Dive into Human Nature Through Marina Abramovic's Social Experiment

There’s a part of me that has always wanted to believe people are good at heart. That beneath the anger, pride, and mistakes, we are built from compassion. But one story, one psychological experiment, shattered that comforting belief and forced me to look at the raw, uncomfortable truth of who we really are.
This story isn’t just a memory I read online. It became a mirror. One I couldn’t look away from.
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The Experiment That Changed Everything
In 1974, a performance artist named Marina Abramovic conducted one of the most disturbing social experiments in history. The setting was simple, a room, a table, and 72 objects. Some harmless. Some dangerous. A rose. A feather. A razor blade. A chain. A loaded gun.
She stood still, silent, for six hours. On a board beside her were written these words:
There are 72 objects on the table that one can use on me as desired.
I am the object.
During this period I take full responsibility.
In that moment, she stripped herself of identity. She removed resistance. She became, in the eyes of the audience, an object.
The Descent into Darkness
At first, people were shy. They turned her around. Moved her arms. Touched her face. Nothing alarming. But as the hours passed, something shifted. Slowly, then all at once.
In the third hour, her clothes were cut away with razors.
In the fourth, the razors touched her skin.
Someone inserted thorns into her stomach.
Someone else put the loaded gun in her hand and aimed it at her head.
She did nothing. She allowed it all. They did everything.
When It Was Over…
At the end of six hours, Marina moved. She was no longer an object. She was human again. And the people who had hurt her?
They couldn’t face her. They walked away. They averted their eyes. The same hands that violated her could no longer meet the consequences of their own actions.
She later said:
“I felt raped. They cut the clothes. They stuck me with thorns. They aimed the gun at my head. One man even came apart in front of me.”
Why Did They Do It?
This experiment was not just performance art—it was a piercing insight into human psychology. So, what makes people corrupt?
It’s not greed. Not power. Not even evil. It’s an opportunity—without consequence. When no one is watching, when punishment is removed, and when judgment disappears… some people will cross every line.
We like to think we’re moral, kind, righteous. But often, what holds our worst impulses back is:
The fear of being judged
The fear of being punished
Take those away, and the mask slips.
How Corruption Takes Root
The experiment shows us something frightening: the human mind adapts quickly to cruelty—if it’s allowed. And this doesn’t only happen in dark rooms or performance halls. It happens every day in society.
When a society rewards power over principles, wealth over wisdom, and success over sincerity… corruption becomes a shortcut. A lifestyle.
And once someone becomes powerful enough, even justice bows.
They buy silence.
They bend truth.
They walk free.
And we let them. So, Is Human Nature Evil? Some would say yes. But I don’t think so.
I believe we are capable of evil, but not designed for it. I believe we carry both light and shadow inside us, and what comes out depends on what we nurture… and what we tolerate. The solution isn’t just law or punishment. It’s conscience. It’s accountability. It’s building a world where we value who a person is more than what they achieve.
Because when we normalize silence, we invite corruption. And when we remove consequence, we awaken cruelty.
The Real Test of Character
The real test of who we are is not what we do when people are watching, but what we choose when we could get away with it.
Do we still choose empathy?
Do we still choose restraint?
Do we still choose humanity?
That’s where integrity lives. That’s where the line is drawn. That’s where we fight back against the dark.
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